Creative Patching, Darning and Stitching

By Kristin. M. Roach  creator of CraftLeftovers.com

Published by Storey Publishers

Recycled baby jacket

It is a rare and talented woman that can make the  subject of mending interesting and even engaging. Kristen Roach has managed to do just that.

After a brief history of sewing there is a very pertinent chapter ‘To mend or Not to Mend’ the relevant questions are :D o I love it?

Will someone else love it? How much time, money, and skill will it take? Is it a junk item? Is the fabric high quality? Is the rest of the garment in good condition? Is the area to be mended stretched or distorted? Frayed? Is the fabric easy to work with?

This chapter is followed by Helpful Hints for Mending, tool kits and stitches.

Patchwork, embroidery, skirt shortening and lengthening, are all covered as are replacing zips, machine and hand darning and using elastic.

Add a false hem to lengthen a skirt

Amongst the very useful projects are how to fit a hidden pocket, a button patch pocket. There is a lovely mend  of a child’s jacket using  a star motif. There are solutions for stains and ways to embellish using sequins and beads.

Darning Stars

Recently whilst  rummaging around looking for  decoupage materials I came across an old copy  of Woman’s Realm, that I had previously found under some floorboards in my old house.  As  mid century modern shows are so popular, See the comments at the bottom of this post, I thought I’d post this  original advice from way back then.

Colour planning from  1971

Colour planning

Six ways in which colour can improve your rooms:

  1. Colour gives your room a dash of fashion. Bring a modern, boxlike room with no outstanding features bang into the 70’s with a trendy colour – like our purple. For a minimum of expense and effort and for a new look, try painting the ceiling and one wall.
  2. Colour makes your room look a better shape. Here, we made the room look taller by using tones of the same colour, keeping the deepest tone to the floor, medium for the walls, palest for the ceiling. Use colour cleverly to give your rooms the proportions you’d like. For example, lower the ceiling of a tall room by painting it a deeper colour than the walls, make a darkish room look lighter by painting the wall opposite the window white. Remember that pale, cool tones (like blues, greens, shades of beige and white) will seem to move the walls and ceiling outwards and the deep warm tones (like reds, browns, golds) will bring them in towards you.
  3. Colour acts as an eye catcher. Does your room need a focal point to make it really interesting? Then highlight its most attractive area with strong colour. You could pick the liveliest tone from your carpet or other patterned area. Use colour to make the most of alcoves or chimney brest.
  4. Colour makes the most of a tiny room. Small rooms like halls, or bathrooms, or even bedrooms, can look more interesting if you use a colourful patterned paper all over walls and ceiling. Pick a paper with a white background if you want to lure the light in.
  5. Colour makes the uglies disappear.  When you have too many doors, awkward corners, ugly pipes of mantelpiece, keep the same colour paint over the lot. You can even make awkward bits of furniture like wardrobes less dominating this way too.
  6. Colour makes the most of your prettiest features. If you’re lucky enough to have a room with good bits of period decoration; moulded doors, cornices, ceiling details, tall windows, highlight them with white paint.

 

Colour scheming round one colour

Just Green

 

The foolproof way of colour scheming- the one colour room.
You just can’t go wrong if you colour scheme this way. It’s simply based on one colour and all its tones. First, pick your favourite colour- the one you’ve always loved and longed to live with. Then use all shades from light to dark, rich to pale. Finally enliven the room with pattern. Sounds easy? It is- just follow our three secrets to success.

Secret one. Remember the colour tricks and use dark and light tones to make the most of your room. Keep the deepest practical tones to the floor or your basic upholstery (see how our dark rug will take most of the heavy wear). Use plenty of white for sparkle and keep the palest tones to large areas if you want a space making effect. Keep the most brilliant tones, which can be tiring and impractical in large doses, for cushions, lamp shades and accessories.

Secret two. A one-colour scheme can be a bit unexciting without the liveliness of some pattern. See how the varied patterns in our room give extra interest but blend in with the total scheme. Geometrics and floral patterns mix happily together when they have a bold colour in common.

Secret three. Mix as many different textures together as you can for a varied look without the addition of the other colour. We used shiny chrome, see-through glass, stained wood and a tufty rug to give lots of variety.

 

Colour scheming around what you've got

colour scheming around what you’ve got

 

Colour Scheming round what you’ve got

 

Have you a lifetime buy in your room-like a patterned carpet or suite?  Here’s the  foolproof way to build a colour scheme round it and the three practical tips will make the room a success.

Tip one. If you have a dominating pattern like the one in our room with several colours in it, like our carpet, let it make its point on its own. Don’t complicate things by adding more patterns.

Tip two. Tie up your colour scheme with the colours in the pattern. Choose the most liveable one for your large areas, like walls. We picked the yellow in our carpet. Pick the deepest most practical colour for your upholstery, like the brown of our chairs. Choose a medium tone from the pattern for your curtains. Finally use the most brilliant pattern for the accents like lamps, cushions to brighten the deeper tone of the upholstery. Why not try bright stained or painted finish for your dining furniture?

Tip Three. Be adventurous Make your own wall hanging, like our collage on the chimney -breast, it’ll help to tie your colour scheme together.

another tip from th e70's

As I am a great lover of  well designed Mid Century classics, below are a few comments made about the Mid Century Modern shows.

Mid Centruy Moderns

‘This show could cause design lovers a cardiac arrest.’ Grand Designs

‘Midcentury Modern is a dangerous show. All the must-see vintage furniture, lighting and accessories dealers in one place makes for serious temptation. Lucy and Petra organise the shows with their idiosyncratic verve and energy and in atmospheric locations so the events feel like an occasion / day out and not just a shopping experience.’ Jenny Dalton. Freelance. How To Spend It. Financial Times.
‘Held in the beautiful and very appropriate Christison building designed by Wates in the Sixties, this show is stuffed with all the recognisable classics of Scandinavian, American and British heroes of 20C design. It’s like visiting a design museum where you can sit on the classics, talk to knowledgable people and then take the exhibits home with you. I enjoy every show immensely and would recommend this show to any lover of design.’ Matthew Hilton’

The next show is on Sunday 1st December 2013 10am–4pm Dulwich College London SE21 7LD @modernshows

Here is a sneak peek of a summer inspired bee and flower  applique draw string bag I designed and made for the May issue of Handmade Living Magazine in the shops now. Bag in current issue of Handmade Living Bee bag May issus Handmade Living

www.handmadelivingmagazine.co.uk

 

This week I was lucky enough to attend a very rare event a ‘Kodo’ ceremony, organized by Odette Toilette, the fragrance lady.

Odette Toilette

Odette Toilette The Fragrance lady

The ceremony took place in The Conran Shop, a perfect venue, surrounded as we were by beauty and elegance, that enhanced the whole experience.

Kudo master

Kudo master

 

There were about 15 of us sitting in a circle on low stools and cushions and we partook of an incense ritual. Led by a Junior incense master.

Listening to the bark

Listening to the bark

Like the historic tea ceremony Kodo is a Japenese ritual started in about  the 1500  ce. There are only two Kodo schools in Japan each with an unbroken line of 500 years. The arts are passed down from one  generation to the next by word of mouth and years of practice.

Preparing the bark

Preparing the bark

 

The master we were with, is the 21st generation to practice Kodo.  He says ‘I was predestined to do this .  If I was to have a son they would be 22nd generation. There is only 1 female Kodo practitioner, I have a daughter and next month my wife will give birth to another daughter. So challenges await me.’The Fragrance we used comes from  the jungle in southeast Asia.

Odette with the insence

Odette with the insence

 

Through his interpreter the master said the following :

‘The Samurai used incense to calm themselves before they went to battle. They fought 1 to 1 using swords and the person who lost the battle was decapitated. The Samurai considered what it would be like when dead and did not want to smell bad. The incense is burnt to impregnate everything before battle and it shows respect to not be filthy.

Boris Raox art student

Boris Raux art student experiencing the incense

 

In our practice we refer to smell as listening even though we use the nose,  you take fragrance all the way to bottom of your heart and are feeling what the fragrant bark is telling you and you unite yourself through the fragrance the Kodo ceremony is a way of self heightening . The fragrance tree takes 50-100 years to be about 4ft in height. Wine and whisky are matured for years with the help of humans, these trees are just natural and every bark has a different fragrance and it can invoke different experiences and memories from the past. It is an abstract concept as you can’t see fragrance, we train for 10-20-30 years.  The scent of this bark smells same as it did 1000 years ago so we are experiencing the same fragrance as our ancestors. We can’t have a dialogue with them, but we have another form of dialogue with the shared experience. It is our duty to keep the experience, so future generations can experience this. ‘

Participants

Participants

After this description the master showed how the incense is burnt and it was passed to us all in turn to experience.

Once we had  ‘listened’ to the bark we were lucky enough to each be given incense sticks made by Nikon Kudo for Fornasetti to take away. Not as pure as the real thing but almost as good!

www.conranshop.co.uk

www.odettetoilette.com/
www.borisraux.com

http://www.fornasetti.com/

 

Shirt collars ready for re-cycling

shirt collars

Anyone who has read my blog will know I am passionate about recycling in general, and about recycling shirts in particular. I have been thinking about this project for a while, well ever since unattached collars came onto the fashion scene, perhaps nine months ago.

USe old shirt buttons to decorate a collar

Embellished with buttons

So the ideas  shown here are very simple. I have not bought anything new to re-create these shirt collars. I just used what was in my work room, bits of ribbon, buttons, embroidery thread, an old hair tie pulled into two and a tangles necklace from which I used the crotched flowers.

Decorated with crotched flowers from an old necklace

peter pan collar

The  only general instruction is to carefully unpick the collar from the shirt and then sew the two raw edges together either with a machine running stitch, or by over sewing by hand.

Make a blanket stitched edge

Blanket stitch edging in contrast colour

collar back

 

Collar covered in old lace

Collar covered in old lace

 

3 collars using different kinds of decoration

3 collars using different kinds of decoration